Hi! I'm Pierrick.

I’ve been a video game and media composer for 6 years.

I also make sound design and technical audio design in game engines.

Music

Sound Design

Are you looking for someone to join your team?

Selected credits

Here is a selection of a few games and media projects I’ve worked on 👇

And many more as soon as NDAs expire… 😅

Areas of expertise

Music Composition

As a fan of Japanese games, I mostly write sometimes light-hearted, sometimes moving orchestral music, but I also happen to record heavy guitars every now and then! 🤘

Audio Design

Throughout the years, I’ve managed to build an efficient set up for audio editing and asset design. My weapon of choice is Reaper, because it feels so powerful for game audio workflows. The ability to export 300+ assets with proper naming and metadata in the blink of an eye has saved me ages.

Audio Engines

They are the reason I picked video game music over cinema scoring. I love anticipating every path a player could use, and crafting an audio experience that would fit every single one of them. The fact that a player can choose their own musical structure depending on their actions is simply fascinating.

I also enjoy developing complex audio systems like the breath of a character, or a vehicle engine, a lot. Every audio event, every line of code, feels like a piece of the puzzle being put in the right place.

Game Engines

I spent a lot of time learning those tools. They’re just mandatory if you want to go further in your audio systems. I also feel like the more you get to know how fellow developers work, the more you’re able to be a good fit in a team.

It helps growing an instinct for troubleshooting, in an especially hostile environment: somewhere between a developer’s job and an audio designer’s job, where only cooperation can solve problems.